SOLO/COLLABS

2025

STHLM craft week, Stockholm, Sweden 

during IASPIS open studios (stockholmcraftweek.se/aktor/linnea-dalstrand/)

2025

Sculptures for Wilhelmina show, Berlin Studio, Oslo, Norway

Collab with Wilhelmina (www.wilhelmina-worldwide.com) during Oslo Runway

2025

Allt jag gör har du redan gjort, allt du säger har jag redan sagt igår, Galleri Sintra, Gothenburg, Sweden

Collab with Helena Pernow, Alva Noreen and Tove Starfelt

​​​​2024

​Bindningar i kombination av hål, Galleri KC, Gothenburg, Sweden

Collab with Helena Pernow, Alva Noreen and Tove Starfelt​

​​​​2022

#curtaincurtain, Konsthantverkscentrum, Gothenburg, Sweden​

Solo

2022

Bittersweet (love) 'I want to buy your work and place it in my exhibition', Atterbomsvägen 46

STHLM CRAFT WEEK, Stockholm, Sweden

Collab with Alva Noreen and Tove Starfelt

​​2022

what about us what about us, Not Quite Gallery, Fengersfors, Sweden

Collab with Alva Noreen

2021

​​Rum i siden, Konstepidemin, Gothenburg, Sweden

Collab with Alva Noreen

​​​​​2020​​​

​​​​Inventering / inventory, opening of the digital gallery Galleri Silk

Collab with Alva Noreen



RESIDENCES

2025

IASPIS residence program, Stockholm, Sweden

Konstnärsnämnden/Swedish Arts Grants Committee

2025

Residence at FabLab Venezia, Italy​

Supported by hephaestuscraft.eu, HDK-Valad and FabLab Venezia

Thanks to Torsten and Wanja Professorship in Design Management

2019

​​Not Quite AIR, Fengersfors, Sweden



GROUP EXHIBITIONS

2025 Not Quite Storslaget, Åmåls Konsthall​​​​, Åmål, Sweden

2025 Dalslands Konstmuseums Skulpturpark, Håverud, Sweden​​​​

2025 Kulturella Insatsstyrkan, Dals Långed, Sweden

​​​​2025 Silvertråden i kraftpappret, Konstepidemin, Gothenburg, Sweden

​​​​2024 Dalslands Konstmuseums Skulpturpark, Håverud, Sweden

​​​​2024 Vi ser inte linsen genom vilken vi betraktar världen, Röhsska Museum, Gothenburg, Sweden

​​​​2024 Semblance, makers and their tools, HEPHAEUSTUS project, Röhsska Museum, Gothenburg​, Sweden

​​​​2023 Jubileumsutställning, Not Quite, Fengersfors, Sweden

​​​​2023 Dalslands Konstmuseums Skulpturpark, Håverud, Sweden

​​​​2023 Vänskap i arbete, Galleri Syster, Luleå, Sweden

          Collab with Helena Pernow, Alva Noreen and Tove Starfelt

2021 In the Rough', Konsthantverkscentrum, Stockholm, Sweden

2021 Bernsten / Amber, Kåda Collective at Porten (Kungsgatan 84) during STHLM CRAFT WEEK, Stockholm, Sweden

2021 In Alliance, Steneby Konsthall, Dals Långed, Sweden

2021 Nora Art, Bergslagen, Sweden

2021 ​Planlösning, Galleri Silk, digital

2021 Längtan, Kåda Collective, Kulturtemplet during Craft Days, Gothenburg, Sweden

2021 Tech & the Self, Sockerbruket, Gothenburg​, Sweden

2020 Benhuset at Katarina Kyrka during STHLM CRAFT WEEK, Stockholm, Sweden

2020 Pandora - a textile rendezvous, Konstepidemin, Gothenburg, Sweden

2020 Exam exhibition, HDK-Valand​, digital (due to covid-19)

2019 Peripheral, Kåda Collective, Not Quite, Fengersfors, Sweden



GRANTS

2021 Konstnärsnämnden / Swedish Arts Grants Committee, one-year work grant

2021 Konstnärsnämnden / Swedish Arts Grants Committee, covid-19 crisis support

2021 Gothenburg Arts and Cultural Affairs Committee, Pronto project support

2019 Adlerbertska stiftelsen

2018 Estrid Ericsons stiftelse

2012 Olga Birkefelts art prize

2007 Strömkulleskolans art prize



OTHER WORKS & PROJECTS

2026 ​Artistic tutor, Stenebyskolan

2025 - 2027 ONGOING: Project leader for Strands, Not Quite

2024 - 2025 Textile technician, Stenebyskolan

2024 Guest tutor, Stenebyskolan

2024 Producer for exhibition "(     )" with Alva Noreen at Not Quite, Fengersfors, Sweden

2023 - 2026 ONGOING: 'Craft Ambassador' for the European research project HEPHAESTUS, https://hephaestuscraft.eu

2023 ​Guest tutor, Stenebyskolan

2023 Producer for exhibition "Release your hungry arrow" with Martina Lundkvist at Not Quite, Fengersfors, Sweden

2023 - 2024 Textile technician, HDK-Valand Academy of Art and Design, Campus Steneby

2022 - 2023 ​Artistic tutor, Stenebyskolan

2022 Guest tutor, Stenebyskolan

2022 -    ONGOING: Board member and vice chairman (2023-2025), Not Quite

2021 Curator for exhibition Längtan, Craft Days, Gothenburg

2021 - 2022 Textile technician, HDK-Valand Academy of Art and Design, Campus Steneby

2020 ​Guest tutor, Stenebyskolan

2020 - 2022 Member and curator, KÅDA Collective, @kadacollective

2019 - 2024 Co-founder and curator, Galleri Silk, @gallerisilk



REPRESENTED

Statens konstråd


EDUCATION


2017 - 2020

BFA, Textile Body Space,

HDK-Valand Academy of Art and Design, Campus Steneby, Sweden

2016 - 2017

Foundation year, Clothing

Stenebyskolan, Dals Långed, Sweden


​2009 - 2010​​

Foundation year, Fine Art

Gerlesborgsskolan, Gerlesborg, Sweden

2008 - 2009

Foundation year, Form & Design

Stenebyskolan, Dals Långed, Sweden

wine-red rose

(2025)

freely draped silk cord

thin copper rod

photo of a red rose

pattern printed on paper


installation view from studio 2 at IASPIS Stockholm 

nattviol

(2025)

double width weave draped/nailed to the wall

silk yarn dyed in lupine and birch 

cotton yarn

polyamide rope

wood structure


installation view from Åmåls Konsthall and IASPIS Stockholm 

(2024) exhibited at Röhsska Museum, Gothenburg

eros

10 meters of black sateen cotton draped on a wooden structure

(2023) exhibited at Not Quite, Fengersfors

2 sculptures for Wilhelmina show

textile yardage freely draped on two wooden structures

sateen cotton

silk

silk/linen

silk ribbons

silk cords


Berlin Studio during Oslo Runway 2025

photo: Bertine Monsen
photo: Jens Wiker
photo: Jens Wiker
photo: Renate Torseth
photo: Bertine Monsen
photo: Bertine Monsen

Mirror mirror 

(2025)

silk and viscose velvet dyed with heather, silk cord hand-stitched along the edges

patterns printet on paper

silk cords

mirrors

installation view from studio 2 at IASPIS Stockholm

och ändå sträcker vi oss, som om det var vår räddning.

/  and still we reach, as if it could save us

silk sateen

plaster

glazed wood 

Dalslands Art Museum's Sculpture Park (summer 2025)

what about us what about us

Collab with Alva Noreen

exhibition at Not Quite Galleri in Fengersfors, Sweden (2022)

Temporary installations with repetition, meta-aesthetics, an inventory of art objects with a sense of affinity. A process where Alva Noreen and I work side by side, the line between you and me blurs. In the white color and empty surfaces, there is room for something to happen, a desperation, a longing for more. Decoration and repetition – symmetry and asymmetry. A shared love for materials and scenographic tones.

allt jag gör har du redan gjort,

allt du säger har jag redan sagt igår

/ everything I do you’ve already done,

everything you say I already said yesterday

Collab with Alva Noreen, Tove Starfelt and Helena Pernow,

exhibited at Galleri Sintra in Gothenburg, Sweden (2025)

Dissolving the boundaries between the individual and the group - a state where we coexist, dependent on each other while simultaneously in opposition. We weave, sketch, sew, and draw with the aim of creating something new, together. In the gaps and spaces, we find our way forward and approach each other from a distance. The collaboration begins with a shared dye bath, where we naturally dye the materials together.

avfallspåse IV och andra objekt

/waste bag IV and other objects

for group exhibition 'In the Rough' at Konsthantverkscentrum, Stockholm. (2021-2022)

curated by: Matilda Dominique

hand dyed silk, in the root of the flower Madder

waste bag sewn in silk framed in plexi glass with a plywood background

wooden structure

suction cups

photo: Helena Pernow / KHVC

silk

The duo Silk consists of Alva Noreen and Linnea Dalstrand. The duo is based in the project Galleri Silk (2019-2024) but has developed into a recurring collaboration where the two artists combine and compensate each other's expressions and thoughts. The projects can take different forms, but mainly through curatorial contexts, exhibitions or joint works and installations.

* 2019      ✝ 2024

Galleri Silk was born in 2019 out of a common interest in the boundary between the digital and the physical. Galleri Silk examined the in between where the analog art piece meets the digital space.

instagram archive: gallerisilk

web page is no longer ours...

Exhibitions

2024 Decor (dot) com group exhibition

2022 Moa Gustafsson Söndergaard

2022 Fann Xu

2022 Micro Silk: Niklas Wallenborg

2022 Hanna Abrahamsson

2022 Kurt Magnus Nilsson

2021 Giulia Cairone

2021 Katarina Aneer

2021 Micro Silk: Silk

2021 Planlösning group exhibition

2021 Annika Alsenfors

2021 Micro Silk: Maja Saverman

2021 Sunna Hansdottir

2020 Júlia Brandão

2020 Höstsalong group exhibition

2020 Silk

2020 Lovisa Ljungberg

2020 Martina Lundkvist & Emanuel Tägil

2020 Stella Palm

2020 Silk opening

#curtaincurtain

solo exhibition at Konsthantverkscentrum in Gothenburg (2022)

Bittersweet (love)

        ‘I want to buy your work and place it in my exhibition’

collab exhibition with Alva Noreen and Tove Starfelt at Atterbomsvägen 46 in Stockholm during STHLM CRAFT WEEK   (2022)

She sipped the bittersweet drink; she is absorbed, wants it, wants to become it. Bittersweet love, painful and lovely at the same time. A limitless exhibition about the individual and the collective, mine, yours, hers. It's about being influenced by each other, observing each other, stealing from each other. Bittersweet (love) 'I want to buy your work and place it in my exhibition' is a tribute to desire and an embrace of jealousy.

utsnitt och glesa trådar

/ cut-outs and sparse threads

collab with Alva Noreen, Tove Starfel and Helena Pernow, exhibited at Galleri Syster in Luleå, Sweden at the group exhibition 'Vänskap I arbete' (2023)

Uncertainty is the state of being vulnerable to others. Unpredictable encounters change us, if we even have control over ourselves.


Through cut-outs and sparse threads, we approach each other from a distance, finding our way in the in-between space, filtering you through me. The process begins with a shared dye bath where we dye our material together. The dialogue happens within the material. We weave, sketch, sew, and draw with the aim of creating something new, together. The material is prepared for what will become us, we, ours. Unintentionally, an uncertainty is built into the material—a pendulum swing between the precise and the crooked. Uncertainty is an openness to change, to take a different direction. A collective work where we challenge the idea of the individual by shifting and blurring the boundaries between each other.


Plant dyeing is an ancient process and an important part of the textile craft's history. Through dyeing, we connect with countless groups of women before us who have made the same movements: carrying, washing, mordanting, rinsing, boiling, and drying. With this project, we want to highlight the artisanal and everyday moments that require multiple hands and bodies.


Cut-outs and sparse threads is an artistic project in three parts, with textile materials as its foundation. The first part involves a shared dye bath with the plant madder root. In the second part, we work individually in separate studios with various techniques. The third part consists of a collective installation in the gallery space, with the material created throughout the process.


Everything has a continuation.

avfallspåsar

    / waste bags

series of waste bags sewn in silk (2019 - )

2019   avfallspåse / waste bag 

2019   avfallspåse II / waste bag II 

2020   avfallspåse III / waste bag III 

2021   avfallspåse IV / waste bag IV 

2022   avfallspåse V / waste bag V

2025   avfallspåse VI / waste bag VI

2025   avfallspåse VII / waste bag VII

avfallspåse IV / waste bag IV
avfallspåse VI / waste bag VI
avfallspåse IV / waste bag IV
avfallspåse VII / waste bag VII
avfallspåse IV / waste bag IV
avfallspåse III / waste bag III
avfallspåse V / waste bag V
avfallspåse II / waste bag II

studie i porten (/portar)

    / study in the entrance (/entrances)

(2020)

collected images from various installation views and exhibitions. Exhibited at Steneby Konsthall (Dals Långed, 2021), Nora Art (Bergslagen, 2021), Benhuset at Katarina Kyrka (Stockholm, 2020) and HDK-Valand exam exhibition (online 2020).

A process-based exploration of entrances — a quiet search for form and detail, drawn to architectural voids, drifting draperies, and traces of what once was.

(varje gång) är som den första


     /  (every time) is like the first

Dalslands Art Museum's Sculpture Park (summer 2023 and 2024)

hanging, dyed silk. faded and weathered

(summer 2023)

(summer 2024)

bindningar i kombination av hål

        / bindings in combination of holes

Collab with Alva Noreen, Tove Starfelt and Helena Pernow,

exhibited at Gallery KC, Gothenburg Sweden (2024)

To explore the possibility of dissolving the boundaries between the individual and the group - state where we coexist, dependent on each other while simultaneously in opposition. We weave, sketch, sew, and draw with the aim of creating something new, together. In the gaps and spaces, we find our way forward and approach each other from a distance. The collaboration begins with a shared dye bath, where we naturally dye the materials together.

(2019)

/ sweet home

cotton and silk, weaved and knitted, hand dyed


ljuva hem

about

MEMBERSHIPS


Not Quite

www.notquite.se


Konsthantverkscentrum / The Swedish Crafts Centre

www.konsthantverkscentrum.se


Svenska Textilkonstnärer / Swedish Textile Artists

www.svenskatextilkonstnarer.se

Metervara. Meter efter meter av tyg. Det är ett av Linneas favoritord. Ett ord som har att göra med kvantitet och volym. Massa men också hålrum. Det måste till en viss mängd tyg för att skapa djupa, mörka veck i något annars ljust. Historiska årslöner av siden och bomull, band och fransar. Det är en fråga om lyx och överflöd men också om varans dragningskraft, begäret efter mer och hur det skimrar på ytan. Just ytan är avgörande, snart framstår den tydligare men också mer obegriplig. Placerar du en spegel intill materialet har du genast dubblerat mängden, metern; | blir ||. Alla knep är tillåtna. Också illusionen är värd något. Linoleumgolvet är manipulerat och utskrivet på kopieringspapper, det ser ut som dyr, digital sten. Två- och tredimensionellt byter plats, konstgjort och autentiskt, en yta är egentligen ett lager. Det blir plötsligt tydligt; vi befinner oss i en kuliss.

           Ordet metervara har också att göra med ett särskilt mellanläge inom textilproduktion. Tyget har lämnat vävstolen eller fabriken men ännu inte skurits till, sytts ihop eller fått någon slutgiltig form. Färdigt och ofärdigt samtidigt. Just så framstår också många av Linneas installationer. Det är något ömsint arbetat, ordnat och på samma gång flyktigt över dem. Ett stycke tyg har blåst genom historien och fastnat på en massproducerad träregel från Bauhaus, som en flagg. Det råkade draperas just där, då; intrikat och symmetriskt, av lika delar slump och nödvändighet. Det blåser fortfarande i materialet.

           De historiska referenserna är många i Linneas arbeten. Nån sorts nyrenässans fotad med blixt, manglad som lågupplöst jpeg över internet och sen faxad både framåt och bakåt i tiden. De verkliga och de falska materialens olika livscykler hakar i varandra och skapar en ny rytm – rubbad, spegelvänd kronologi. En ny plats besläktad med teaterscenen, där det råder en överenskommelse om fiktionens komplicerade relation till verkligheten; vi vet att det inte är på riktigt, men vi tror på det ändå.

            Till sist; köttet, kärleken, åtrån. Det är tidlöst. Kroppen är avklädd. Kanske har man i själva verket rört sig in på en mycket intim plats, bakom eller under ytan. Det är något ömtåligt och sprött som behöver skyddas av materialen, i vecken. Linneas arbete leder oss genom det oväntade och förföriska, mot den plats av verklighetsflykt, värn och frihet som kulissen utgör.


Martina Lundkvist, 2025